pilgrimage

[Warning: this will not be a fun post. Sorry.]

It’s hard to believe that it’s been five years.

Today, I will make my annual pilgrimage down county highway M to lay flowers on the very spot where we lost Sam, age eighteen, in a senseless car accident, on March 15, 2005.

When I was there last year, pieces of the automobile could still be seen lying in the grass.

Sam was the only son of my supervisor, coworker, and good friend. She was singlehandedly raising him – never an easy thing to do. When we first started working together, in 1997, her ex-husband had just filed for divorce and Sam was ten. The ex seemed to never get into the spirit of being a father; my coworker turned often to me, asking for advice on how to help her guide this pre-adolescent, then adolescent, son into adulthood.

To say that I was his surrogate dad, or he was like my son, would be over-stating things, a bit. Yet there are aspects of both of those statements that hold true; by coaching and advising his Mom, I had a hand in helping to shape his growth; Sam loved the theatre, was a budding actor, and we went to see each other’s shows; I became a de-facto member of the family, sharing Thanksgiving dinners with Sam and his Mom year after year.

As with any child who comes from a divorced home, High School was difficult for Sam (and, one should add that in addition to the divorce, Sam had to cope with his Dad taking his own life). Nevertheless, he persevered, and was on track to graduate that June. He turned eighteen in January; late in February, he was accepted to Beloit College in their Art program. I started saving up money to buy him an iPod as a graduation present – something that I thought was the sort of gift a Dad would give a son. But then, of course, all of that never came to pass…

After a few moments of reflection at the crash site, it will be on to Forrest Hill Cemetery, where I will lay some more flowers where Sam’s remains are buried.

I recall, last year, as I drove there, a particular Suzanne Vega song – Widow’s Walk – came on the old iPod playing through the car stereo; one part of the lyric seemed to repeat itself over and over again in my head:

“Though I saw it splinter, I keep looking out to sea.
Like a dog with little sense, I keep returning,
To the very area where I did see the thing go down,
As if there’s something at the site I should be learning.”

What is it, I wonder, that I’m supposed to be learning from this tragedy that I haven’t already learned? That life is precious, fragile, and all too short? I was sure I’d learned that lesson long ago. But perhaps some part of it still evades me.

Or, perhaps, there is no lesson to be learned. Maybe this is just the duty that we take on when we love and care about people; when they leave us, we have an obligation to keep the memory of them alive, and to mark their passing. There are, of course, many ways to do this; but for some reason I choose this one. I wonder some times if I will always mark the day this way; will there come a time when my mourning transforms and takes a different shape? I suppose it’s possible.

Until then, I have this; and so tomorrow I will take my annual pilgrimage. I will trace the route, I will stand watch at the graveside, and I will feel the pain of him no longer being in the world and having been taken all too soon.

Dial it up…

O.k., so it’s happened. Scott Brown handily defeated Martha Coakley and will soon be sworn in as the next Senator from Massachusetts. Let the pundit games begin (and they have).

But let us also remain a bit sober about this; I’m reminded of an episode in the 2nd season of The West Wing (those who know me well know that my affection for The West Wing, seasons 1-4, knows no bounds) – “The War at Home”. In it, two of my favorite characters – pollster Joey Lucas (played by Marlee Matlin) and Deputy Chief of Staff Josh Lyman (played by Bradley Whitford) have a little exchange about poll numbers; see, Josh is trying to measure response to President Bartlett’s 3rd State of the Union speech in which he laid out a gun control strategy that included a five-day waiting period. Josh wants the numbers from five key districts because he sees the gun issue as a measure of how those states will vote in the upcoming presidential election — in other words, it’s a litmus test (much like the Coakley defeat is already being used to write obits for the Obama Presidency).

Josh insists that the high numbers against mean that he needs to advise the President to dial down the rhetoric on gun control if he wants to win re-election. Joey insists the opposite is true; he says “Numbers don’t lie.”, to which she replies “Numbers lie all the time… You say that these numbers mean dial it down; I say they mean dial it up. You haven’t gotten through. There are people you haven’t persuaded yet.”

Dial it up, people. The work is hard, but the prize—social justice, fairer government, and a better healthcare system—is too important to let it slip by. There are people we haven’t reached yet. Dial it up.

ghosts…

In the late 1990’s I had the good fortune of playing the lead role in one of my favorite plays of all time, Equus by Peter Schaeffer. It was produced by First Banana Players, a community group in Madison that had no formal resources — ie: we didn’t have our own rehearsal or performance space (and this was before the Bartell Theatre); we ended up renting Kanopy Dance‘s old studio…

cast of Equus

with cast, in full horse mode...

I mention this not just for the random nostalgia, but because the recent turn of events has brought the memories of this production into my head once again.

See, the old Kanopy Dance space is in the Gateway Mall on Williamson Street; Kanopy moved some years ago, and the Gateway underwent some remodeling; the front part of the space now is occupied by OutReach, Madison’s LGBT community center; the back part of the space is where the offices of my new employer, WCASA, reside.

It’s a bit surreal, showing up for work every day, walking around the modest office space which has been so transformed that it is hardly the space it used to be – except when I look up and see the black painting on the steel structural beams and ventilation ducts; instantly I’m reminded of its previous incarnation as a performance space, and of the fact that a few feet away from where my desk and cubicle now reside I once stood, lit by gelled fresnels and lekos, and spoke out toward the silhouetted audience: “With one particular horse, called Nugget, he embraces…”

Anyone who has spent considerable time in the theatre will tell you that they – the physical performance spaces – contain ghosts. Maybe not the literal kind; wispy, ephemeral spirits from the after-world; but certainly the theatrical kind – the scantiest trace of memory of the words spoken within its walls that seem to reverberate for all eternity. Standing on a darkened stage in an empty theatre is practically a religious experience for an actor.

So, you can imagine for me the strange mix of feelings; it’s not a darkened theatre, but rather a brightly lit office space. Yet, one can’t help feeling that the essence of Mr. Shaeffer’s words, and the spirit and energy of all the folks that poured their blood, sweat, and tears into the production linger slightly. It gives me a sense of great comfort… even as it spooks me a bit.

Finally…

Sorry for the radio silence. The past month has been jammed packed, and tension-filled. It culminated in a nail-biting, down-to-the-wire cliffhanger which, I’m pleased to say went my way: I got offered a job.

Actually, two jobs; after over two years of job hunting – some 310 job applications and 42 job interviews (a few of those second and third interviews for the same job) – I found myself in the enviable position of having to choose; and not just choose between a mediocre job and a so-so alternative – these were two viable, exciting, interesting jobs in a field I actually have a strong passion and commitment for: ending violence.

In the end, I was flattered to be offered a new job – one that I will have a hand in shaping and building – as the Violence Prevention Communications Coordinator for the Wisconsin Coalition Against Sexual Assault (WCASA). I will start later this week, as Sept. turns to October. I look forward to it with much excitement and anticipation.

That also means that things might be on the slow side here; I will be spending the first part of this week traveling (returning from a visit on the east-coast with family and friends) and better part of the next two weeks acclimating myself to a new work environment and schedule. As soon as I get a chance to come up for air, I’ll have some stories and thoughts to share here. I promise.

Speaking of which, I’m so please that my last post has garnered so many comments – especially because many among them are folks who were able to avoid falling for a fake condo ad thanks to my warning; happy to do my part in the cause to prevent a**holes from using Craigslist (and the web in general) to steal people’s personal information.

damn you, Justin Ghif

I pride myself on being pretty savvy in general. That’s why it’s all the more disappointing to me that I spent a whole ton of energy composing a reply email this morning before I finally got wise that it was all just a scam.

Like most scams it was, upon reflection, a “too good to be true” scenario; no, I’m not talking about an offer for millions of dollars if I’d only help out someone in Nigeria (see 419 scams.org). In this case it was a delightful looking one-bedroom condo for rent with a flexible lease via Craigslist. Now it so happens that a flexible lease is almost impossible to come by on the isthmus here in Madison, and as my work situation has been – shall we say “in flux” – and I’ve been thinking of downsizing from a two-bedroom, I was immediately intrigued; I sent the poster an email requesting a viewing.

What I got in reply was a request from the poster – for a credit report, complete with a link to a site where I could obtain one (why thank you!… how thoughtful).

The poster, yes, is one Justin Ghif. Or at least he is in name; of course no such person exists; a quick trip to Google (sorry, Bing) reveals that similar ads have been placed in at least a half-dozen other cities; the details are always slightly different – different interior pics (though all of them depict an A-class living space), different prices (but always below the market average for the geographic region) – but the appeal is the same; a sweet looking one-bedroom with pets allowed and flexible lease period in a great location downtown.

This is the ugly side of humanity. Not that someone is so desperate to earn a living – in a culture driven by money we’re all desperate to earn money – but that someone would choose to go about it by creating false ads that bait an eager apartment seeker (like myself) so that they could harvest credit information (one wonders if the poster is directly connected to the “credit site” to which it links or if there is some other gain he/she gets through bouncing from the linked site to its final destination).

No, Mr. Ghif (or whoever) did not get me really because I was smart enough to investigate before clicking through and I didn’t immediately hand-over any of my identity information. But, he/she did steal my time (I spent time carving out a very measured reply wherein I explained that I thought asking for a credit report before I’d even seen the apartment was a bit out of order) and my imagination – for the many hours that I waited (granted most of them sleeping last night) between my email inquiry and the reply, I had visions in my head of moving to a nice one-bedroom condo with washer/dryer inside and underground parking; and all while eschewing the 12-month lease stranglehold that landlords and management companies have on the downtown region.

So, damn you, Justin Ghif; with one hand, I shake a fist in your direction…

…while with the other hand, I’m reporting you to Craigslist, Anti-Phishing Working Group, and the Federal Trade Commission.